Online Google Dictionary

mambo 中文解釋 wordnet sense Collocation Usage Collins Definition
Verb
/ˈmämbō/,
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mambos, plural;
  1. Dance the mambo

Noun
  1. A Latin American dance similar in rhythm to the rumba

  2. A voodoo priestess

  1. a Latin American dance similar in rhythm to the rumba
  2. dance a mambo
  3. "Mambo!" was Helena Paparizou's fifth CD single and the first from her international album The Game of Love. There were two versions of the song; a Greek version and an English version. ...
  4. The Bologna Museum of Modern Art (MAMbo, or Museo d’Arte Moderna di Bologna) is a purpose-designed centre of modern and experimental art, located in the centre of Bologna, Italy.
  5. Mambo is a 1954 Italian/American film directed by Robert Rossen.
  6. Mambo is the fifth studio album by Spanish duo Azúcar Moreno, released on CBS-Epic in 1991.
  7. Flavien Demarigny, aka Mambo is a franco-hungarian artist, born in Santiago de Chile, Chile, on .
  8. Mambo is a Latin dance of Cuban origin that corresponds to mambo music. Mambo music was invented in 1930s Havana by Cachao and his contemporaries and made popular around the world by Perez Prado and Beny Moré. ...
  9. (1954), Capitol T-564 (10" LP)
  10. reigns supreme as the number one way to strike up a street-and-greet. But usually, if time allows, people end up showing off a kind of linguistic fireworks where, through the prompting of various other ways of saying “what’s up,” they get to rattle off two, three ad infinitum questions and ...
  11. An up tempo dance rhythm typically 190+ bpm. All four beats are evenly accented. Member of the son rhythm group. It was the mainstay rhythm of the Latin big brass bands during 1940s. Some believe that it originated from a section of the danzón. It is also Congolese for "trouble".
  12. A very common Latin style of music that has a very distinct bell pattern.  The mambo pattern can be played on the cowbell or ride cymbal. It is a 2 bar pattern that can be played in 2 directions.
  13. (1) An up-tempo dance style, developed through the 1940s and ’50s, that blends several elements of North American instrumentation and harmony with elements of the son and other Cuban genres. ...
  14. 1. The section added to the danzón form (in the 1940s) which featured an open vamp and instrumental improvisation. (Mambo also refers to an instrumental section of a salsa or merengue tune.) 2. ...
  15. Most commonly referred to as a repeating section of a song, also known as montuno. It is often mistaken for a specific type rhythm or song form. The dance done during this part of the music also became known as the mambo.
  16. An Afro-Cuban form that came out of the Conolese religious cult. The big band mambo of the 1940s and 1950s developed characteristic contrasting brass and sax riffs, which many musicians regard as stemming from the last section of the guaracha.
  17. This is when a player uses wild, dance-like, head-and-shoulder fakes to dazzle a defender. "He just did a mambo on that guy."
  18. Dance of Afro-Cuban origin with a characteristic quadruple-meter rhythmic pattern.
  19. The Mambo is a fast sexy Latin spot dance. The Mambo patterns are danced with the body quite close, this give it the sexy look and personality.
  20. [m, usu. sing] confused, weird and/or pathological state of mind; “issue”: Esa mina tiene un terrible mambo en la cabeza “That girl has an awful mess inside her head”. Can be used in the plural: Vos tenés tus mambos y yo tengo los míos “You have your issues and I have mine”.
  21. An initiated priestess in the religion of Orthodox Haitian Vodou.
  22. An Afro-Cuban dance similar to Salsa, however, it is danced on "2" instead of on "one" Mambo is one of the dances in the American Rhythm Category.
  23. The fusion of Swing and Cuban music produced this fascinating rhythm and in turn created a new sensational dance. The Mambo could not have been conceived earlier since up until that time Cuba and the American Jazz were still not wedded. ...
  24. an Afro Cuban dance in 4/4 time with heavy accents on two and four
  25. The name given by Arcaño to the final syncopated section of the ‘Danzon del Nuevo Ritmo’. Characterised by repeated instrumental unison riffs against a hard driving percussion section and over a dominant 7th chord, this style was later popularised by Pérez Prado in Mexico and the US.